Digital technologies and physical change

She is an architect working across disciplines, from architecture to film and music. She writes for publications like The Architectural Review and DOMUS, co-launched ArchFilmFest, and has taught at the Royal College of Art (UK), London School of Architecture (UK), and the Karlsruhe Institute of Technology (Germany). She was shortlisted for the 2016 AR Women in Architecture award and named a Debrett’s 500 influential in Architecture & Design.

He is an Italian-Argentine architect and designer. His professional journey is characterized by a strong emphasis on collaborative design, particularly in industrial heritage and community-driven projects. His work spans built projects, exhibitions, and writing, contributing to both professional and academic discourse.

She is an architect and researcher focused on industrial heritage, material culture, and adaptive reuse. Her work investigates how architectural history and technical knowledge can inform preservation and contemporary design strategies. She is also honorary Vice-Consul of Italy in Finland.

She is a project lead of the Uusi Aalto project in the City of Rovaniemi, focusing on activating Alvar Aalto’s architectural heritage as a driver for cultural tourism and urban vitality. With a background in landscape design and business development at Navico Oy, she combines strategic thinking with practical implementation, working at the intersection of culture, tourism and city development.

He is an architect and holds a PhD in Art History and Theory from Autonomous University of Madrid. As Project Director at the Factum Foundation, his work is dedicated to the development and application of digital technology to the conservation, study and dissemination of Cultural Heritage.

She holds a PhD from The Courtauld Institute is and Director of the BSc in Economics and Management for Arts, Culture and Communication. Her research focuses on Medieval and Byzantine art, especially Venice and its empire, and on artistic interactions across the Mediterranean.

Professor of Art History at the University of Santiago de Compostela and Distinguished Researcher at CISPAC, he earned his PhD from Harvard. He has held positions at Princeton, Birkbeck, and Complutense University, and led heritage projects including the restoration of the Portal of Glory at Santiago Cathedral. He currently directs “KosmoTech_1200” on historic built environments.

She is an expert in Islamic art who has lived and worked across the Middle East, South Asia, Turkey, the United States and India. She founded the Department of Islamic Art at the Benaki Museum and later established the Deccan Heritage Foundation in the UK, with branches in India and New York. She has published widely on ceramics, Deccani architecture and decorative techniques.

He is Senior Program Manager for Special Programs at the World Monuments Fund. He oversees initiatives that protect and preserve cultural heritage worldwide, coordinating projects that combine research, conservation, and community engagement to safeguard historic sites and promote sustainable heritage practices.

He is trained as an architect and holds a graduate degree in Photogrammetry and Geoinformatics. With over ten years of professional experience in the field of cultural heritage digital documentation, he specializes in the application of advanced technologies for the preservation of historical artifacts and sites. He is currently based in Madrid, where he works with the Factum Foundation as 3D specialist. In this role, he leads digital documentation initiatives and develops training programs in partnership with universities and museums worldwide.

She is a professor of architectural history and theory at the Oslo School of Architecture and Design (AHO). Her research explores provenance in architecture, examining how historical, social, and material narratives of buildings inform restoration, conservation, and adaptive reuse strategies, bridging scholarship and practical heritage interventions.

He is a practicing architect and professor of architecture at the Oslo School of Architecture and Design (AHO). He leads work on preservation and transformation of historic buildings through teaching, research, and practice, including projects on concrete architecture and architectural systems. His work explores reuse, conservation, and the role of provenance in contemporary architecture.

OBE, Founder of Factum Arte and the Factum Foundation for Digital Technology in Preservation, he is an artist and innovator in digital heritage preservation. Trained in fine art, he applies cutting‑edge technologies to the documentation, study, and reproduction of cultural heritage worldwide. He has taught at Columbia University and received awards including Royal Designer for Industry.

PhD (King’s College London), is Director of Factum Foundation London, where he leads projects in digital preservation and cultural heritage documentation. His work spans global initiatives—such as recording rock art and monoliths—and explores issues of restitution, conservation, and interpretation through high-resolution technology and community engagement.

He advises on digital transformation and growth in the cultural sector, writing on material culture, design history, and conservation. He has helped leading brands and cultural organisations enhance engagement, strengthen reputation, and develop digital capabilities, focusing teams on audience insights, organisational goals, and creative solutions.

He holds a Master’s in Technical Art History (UNAM). He works in research, curation, and technical art history with a focus on painting, collaborating with institutions like Galería Artdicré and MUNAL. His multidisciplinary approach at Factum Foundation integrates preservation, exhibitions, audience engagement, and technical development.

She is a heritage science specialist focused on technical art history and non-invasive material analysis. Trained at IPCE and holding a PhD from the University of Santiago de Compostela, she has worked in leading UK institutions including the Fitzwilliam Museum and the British Museum. Her research explores pigments, imaging and AI for cultural heritage. She is part of Incipit, one of the research institute of CSIC.

He is a research technician specialising in digital archaeology and non-invasive methods. His work focuses on advanced 2D and 3D imaging, virtual reconstruction, and landscape archaeology. He develops innovative approaches to documenting and analysing archaeological heritage through digital and multiband imaging technologies. He is is part of Incipit, one of the research institute of CSIC.