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Course Tag: AI

Fashion and Textiles between Digitisation and AI

Prato Phygital, MIMIT-funded project for the development of 5G technology
Midjourney, outcome of 'Fashion editorial with models' prompt, 2023
Acne Studio, F/W 2020 men's collection in collaboration with Robbie Barrat and AI, 2020

key details

11 April 2024
Online on Zoom
3pm — 5pm (CET)

Reference

about

The online course, curated by Elisabetta Cianfanelli, Paolo Franzo, Leonardo Giliberti, and Margherita Tufarelli (University of Florence), investigates the digital transition taking place in the fashion system and the implications of the diffusion of artificial intelligence in creative and production processes.

Through the presentation of a series of research projects and case studies, the ‘phygital’ landscape that has been characterising the textile and clothing industry in recent years will be analysed. It will explore how, in this evolution, archives are being transformed into multi-sensory and multi-vocal datasets that can be drawn on through algorithms to create new content, thanks to a redefinition of professional skills and design methodologies.

Lecturers

Elisabetta Cianfanelli

Full professor in Design, she has been president of the master’s degree course in Fashion System Design until 2023.

She is co-responsible for CU 2 of the Doctorate of National Interest ‘Design for Made in Italy’, scientific responsible for UniFI of the inter-university research centre ‘Fashioning AI’ and director of the journal Fashion Highlight.

Paolo Franzo

PhD at Iuav, he has been a researcher in fashion design at the University of Florence since 2023.

His international and transdisciplinary research activity focuses on the ecological and digital transition in fashion, in particular on pre-consumer waste in the textile-clothing industry and AI in fashion design.

Leonardo Giliberti

He is a PhD student at the University of Florence within the PON Research and Innovation programme with a thesis on the role of artificial intelligence in fashion design and its production processes.

He carried out a research period at the Lisbon School of Architecture of the University of Lisbon

Margherita Tufarelli

PhD, she is a researcher in fashion design at the University of Florence. Her research interests concern the opportunities and impacts of digital transformation on design, production and communication processes in the textile and fashion industry.

Her most recent research projects include: Prato Phygital and E tex – The haptic Library.

Fashion and Textiles between Digitisation and AI

Copyright for cultural property and AI

Cuarto Amarillo, Vettor Pisani, Michelangelo Pistoletto, Ettore Spalletti and Franz West, 1992
Outcome of "Creativity, copyright and AI" prompt, 2023

key details

22 — 23 February
Online on Zoom
3pm — 5pm (CET)

about

This two-lesson course will be an excellent opportunity to reflect on the value, legitimacy and ‘rights’ of contemporary works of art within our society and the relationship between copyright and artificial intelligence.

In the first lecture Virginia Montani Tesei (lawyer), Mario Pieroni (gallery owner) and Giovanni Floridi (notary public) will explore the themes of copyright, authenticity and different interpretations for works of art and the world of digital creativity.

During the second meeting, Francesco Paolo Micozzi (lawyer) will offer an insight into current regulations and future perspectives for adequate protection of intellectual property in the field of artificial creativity, examining both opportunities and emerging legal challenges.

Programme

February 22, 2024

Copyright for Cultural Heritage: a case study

  • Virginia Montani Tesei
  • Mario Pieroni
  • Giovanni Floridi

The issue of copyright for the cultural property will be discussed through the analysis of the case of the work Cuarto Amarillo, an installation created by four artists (Vettor Pisani, Michelangelo Pistoletto, Ettore Spalletti and Franz West) on the occasion of the 1992 ARCOMadrid fair. The heirs of one of the artists requested part of the artwork after his death. After a brief excursus on the history of the eight-handed work and the risk of its destruction to dismember it, the topic of co-authorship under Italian Law and the difference between the joint ownership of the patrimonial copyright resulting from the co-authorship of the work and the joint ownership of the work will be discussed.

February 23, 2024

Artificial intelligence (AI) and copyright

  • Francesco Paolo Micozzi

During this meeting, the dynamic intersection between artificial intelligence (AI) and copyright will be explored. With the advent of increasingly advanced technologies, the field of AI has led to the emergence of relevant questions on intellectual property and artificial creativity. The basic principles of copyright law will be introduced and how these apply (or fail to apply) to AI-generated works will be discussed. Through a series of case studies, we look at concrete examples of how AI is transforming the intellectual property landscape, examining both the opportunities and emerging legal challenges. Participants will gain an in-depth understanding of the legal and ethical implications of content creation through AI, exploring topics such as authorship attribution, liability for copyright infringement and potential legislative reforms, including in the European context.

lecturers

Virginia Montani Tesei

She graduated in Law from the University of Rome Tor Vergata and pursued her studies between Italy and Spain. She perfected her studies with advanced courses in art law at the Scuola Superiore Sant’Anna in Pisa and subsequent masters in the subject, including the Master of Art at the Luiss Business School. Following experience in international law firms, she founded his own firm specialising in art and cultural heritage law. Author of numerous essays and articles on the subject, listed by We Wealth among the top 200 professionals in the private wealth sector and invited speaker at the LUISS University of Rome master courses. In 2020, she promoted at ArtVerona the Montani Tesei Under 35 Prize, now in its third edition.

Mario Pieroni

Born in Rome in 1937, he moved to Pescara to follow his family’s textile and furniture business.  From 1971 he worked in contemporary art, starting with the realisation of Giacomo Balla’s furniture and tapestries. From 1975 to 1978 he opened and managed the exhibition space Il Bagno Borbonico in Pescara. In 1979 he moved to Rome where, together with Dora Stiefelmeier, he opened the Galleria Pieroni. In 1992 he ended the Gallery’s activity to found Zerynthia, Association for Contemporary Art. He is also Artistic Director of RAM radioartemobile, a platform for contemporary art created in 2003 and dedicated to sound research and exhibition activity. In 2017, he set up the Fondazione No Man’s Land in Loreto Aprutino (Pescara).

Giovanni Floridi

He was born and works in Rome, where he practises as a notary public.

Since the end of the 1990s, he started collecting contemporary art, now holding a collection ranging from the second half of the 20th century to the present day. Together with his wife Clara Datti, he also set up the Fondazione ‘D’ARC – Rifugio di Arte Contemporanea’, which is opening a new exhibition space in Rome.

Francesco Paolo Micozzi

Lawyer and lecturer in Legal Informatics at the Department of Law, University of Perugia, is author of monographs and essays on data protection, cyber security, computer crimes and copyright. He leads the Jean Monnet “CIBER” module at the University of Perugia on the subject of data breach and is a member of the academic board of the Jean Monnet Centre of Excellence “BALDUS” at the same University on the subject of personal and non-personal data protection. Member of the Working Group of the Italian Foundation for Forensic Innovation at the CNF (National Forensic Council).

1/2 Copyright for cultural property and AI
2/2 Copyright for cultural property and AI