Parcels of Venice

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20 February 2025
Online on Zoom
3pm — 5pm (CET)

about

This is a project founded by the Swiss National Science Foundation and led by the EPFL, designed to facilitate the exploration of historical sources related to Venice.

The platform’s search engine allows users to find names, places, urban functions, and other data drawn from various primary and secondary sources, including census data, historical cartography, and trade annuaries across a broad chronological span. Each information is verifiable and traceable within the extraction process. The published datasets are accessible to both the scholarly community and the public for reuse in specific studies. The platform is designed to be incremental, allowing for the addition of new datasets and citations.

The course will cover the technical background, methodologies, and development choices, presenting datasets and analyses conducted by scholars on urban morphology and city functions. A follow-up workshop aimed at young researchers will focus on data analysis and interpretation.

The lesson will be held in English.

Lecturers

Frédéric Kaplan

He is the director of the College of Humanities at the École Polytechnique Fédérale de Lausanne (EPFL). He also holds the Chair of Digital Humanities and is President of the Time Machine Organisation, a non-profit association of over 600 institutions. He is the author of a dozen books, translated into several languages, and over a hundred scientific publications.

Isabella di Lenardo

She is a researcher at EPFL’s Digital Humanities Institute, specializing in Art History, Digital Humanities, and Digital Urban History. She focuses on the circulation of artworks and historical cartography. Leading the Time Machine Unit at EPFL, she uses AI and digitization to explore Europe’s cultural heritage. She is the PI on European projects and co-PI on the SNFS-funded “Parcels of Venice” project.

Paul Guhennec

He is a post-doctoral researcher in the Digital Humanities Laboratory at the École Polytechnique Fédérale de Lausanne (Switzerland). His research focuses on the usage of new computational methods for architectural history, and their epistemological implications. He recently finished his doctoral dissertation on Venice’s urban history, with a focus on vernacular domestic architecture.

Manuel Ehrenfeld

He is a software engineer at EPFL. He is the founder of Non-linear, a design studio specializing in visual communication and digital development. He lectures in Communication Design at IULM University and teaches Computer Graphics at Brera Academy. With extensive experience in front-end development, he has led projects for prestigious events and brands, pioneering in digital innovations and interactive design. Fluent in multiple languages, he is based in Geneva, Switzerland.

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Access to Materials in Digital Archives, Copyright and Related Rights: the Archivio Progetti IUAV as a Case Study

Archivio Progetti, Università Iuav di Venezia © Luca Pilot
Archivio Progetti, Università Iuav di Venezia © Luca Pilot
Archivio Progetti, Università Iuav di Venezia © Luca Pilot

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28 and 29 January 2025
Online on Zoom
3pm — 5pm (CET)

about

Established in 1987, the Archivio Progetti IUAV is an archival and research centre dedicated to the documentation and scholarly promotion of the documentary heritage of 20th and 21st-century architecture in its diverse disciplinary dimensions: building design, urban, landscape, and territorial planning, structural, technological, and systems design, urban development, interior design, industrial design, artistic craftsmanship, photography, graphic design, and communication.

Following the presentation of this Archive, the course will proceed with an overview of selected collections relevant to industrial design.

In this context, the legal issue of copyright and related rights (such as photography) will be explored, particularly focusing on the use of digitised materials from the archive (including photos, projects, etc.) with some examples of best practices adopted by the Archivio Progetti IUAV.

The course will be held in Italian.

Lecturers

Barbara Pasa

Barbara Pasa, Full Professor of Comparative Private Law at the Iuav University of Venice, teaches Comparative Intellectual Property, Contract Law, and Consumer Law. A graduate and PhD from the University of Trento, she worked for over 10 years at the University of Turin. A qualified lawyer, she is a member of national and international academic bodies, with research and teaching experience at universities across Europe and the US.

Rosa Chiesa

Researcher in Design at the Iuav University, she is an architect with a degree from the Politecnico di Milano and a PhD in Design Sciences from Iuav. Her research focuses on glass and design, exploring Murano’s entrepreneurial history through archival sources. A board member of AIS/Design and the ISEC Foundation, she has taught design history at several institutions, curated exhibitions on Luca Meda and Toni Zuccheri, and collaborates with scientific journals and publishers.

Giovanni Marras

From 2004 to 2014, Associate Professor of Architectural Composition at the University of Trieste, currently a member of the doctoral board in Architectural Composition at Iuav University of Venice, where he earned his PhD. His research focuses on form, construction, and architectural character, with emphasis on Latin America, cultural heritage, and landscape. He led the MIUR project re-HOUSING and has authored essays on memory and contemporary design.

Teresita Scalco

With a PhD in Design Science from Iuav, she is the Head of Archivio Progetti, the research and archival centre of the Iuav Library System, where she is in charge of the collection management, coordinating and supporting research, educational, editorial, exhibition activities, with the aim to improve the access and dissemination of archival fonds, such as the digital project Petit tour.

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Art and Innovation, a new idea of Archives

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10 and 12 December 2024
Online on Zoom
3pm — 5pm (CET)

about

The course, curated by Valentino Catricalà,  focuses on the relationship between art and innovation, on how artists, using media that are changing our societies, not only open up new reflections on media but also create new practices that impact the world of innovation.

Therefore, the point of interest of the research is not only how the world of art can develop through technology but also how the world of innovation can benefit from the relationship with artists.

These issues will be developed through case studies with a focus on artists who use databases and archives, to understand how archives reinterpreted by artists can be a source of technological innovation. In the second lesson, the artist Donato Piccolo will discuss the poetics of his creative process and the ongoing dialogue between science, technology and art in his work.

The course will be held in Italian.

lecturers

Valentino Catricalà

He is curator and museum director. He has been founder and artistic director of MODAL Gallery at SODA in Manchester and lecturer at Manchester Metropolitan University. He is currently involved in a big new project in Saudi Arabia. He has curated exhibitions in important Museum and Galleries such as Fondazione Prada (Milan, Tokyo), Minnesota Street Project (San Francisco), Ermitage (Saint Petersburg), MAXXI (Rome), ADI Design Museum (Milan), Museo Riso (Palermo), Media Center (New York), Istituto Italiano di Cultura Nuova Delhi, Ca’ Foscari (Venice).

Donato Piccolo

His art investigates natural, physical and biological phenomena through design drawings and technological and mechanical installations. Through the study of human cognitive faculties, his art analyses the perceptive aspects of the natural world. Most of his works combine two complementary aspects: they are sculptures and machines, forms and processes at the same time. This hybrid character constitutes the very nature of a “holistic art”: an art whose essential function is to explore “the incomprehensible mystery of the visible world”. He is an acclaimed Italian artist on the international stage and his creations have been showcased in prominent museums and institutions worldwide.

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Arnaldo Pomodoro Archive: digitising to preserve and enhance

Contact sheet of the photo shoot of the Rotanti sculptures located on the banks of the Ticino River. Photographs by Ugo Mulas © Eredi Ugo Mulas
Arnaldo Pomodoro's desk in the studio on Via Vigevano, Milan © Andrea Cerabolini
Arnaldo Pomodoro and Ettore Sottsass at the house on Via della Commenda, Milan. Photographs by Ugo Mulas © Eredi Ugo Mulas
The consultation room of the Arnaldo Pomodoro Archive in Vicolo Lavandai, Milan © Andrea Cerabolini
Raw file generated during the digitisation process, before post-production
Digitisation of archival materials at the Digital Centre of the Fondazione Giorgio Cini © Joan Porcel
Digitisation of archival materials at the Digital Centre of the Fondazione Giorgio Cini © Joan Porcel

key details

3 December 2024
Online on Zoom
3pm — 5pm (CET)

about

The Fondazione Arnaldo Pomodoro, established at the artist’s behest in 1995, has the primary task of conserving and disseminating his work.

The Archive, managed by the Foundation itself, houses a wide variety of materials documenting the sculptor’s artistic production and professional relationships: photographs, exhibition catalogues, correspondence, models, and other working materials. To provide broader public access to this heritage, the Catalogue Raisonné and the Online Archive projects were initiated, including a collaboration with the Digital Centre of the Fondazione Giorgio Cini for the acquisition of fragile and complex materials, such as thirteen scrapbooks (1954-1984) and the substantial Ugo Mulas collection (1960-1970).

The lecture presents the Archive through its history, materials, and the management dynamics that the Foundation implements for its enhancement; it will also illustrate the ongoing digitisation process and the technologies used for rendering the digital files.

The lesson will be held in Italian.

Lecturers

Ilaria Sgaravatto

Archivist at the Arnaldo Pomodoro Foundation. She graduated in History and Criticism of Art from the University of Milan and completed a postgraduate specialisation course at the Alma Mater Studiorum – University of Bologna, focusing on the History of Photography. Her thesis on Antonia Mulas was followed by further research and publications in the field.

Dario Peluso

Software developer specialised in computer vision, he currently leads software development at the Digital Centre of Fondazione Giorgio Cini. Coming from a decade-long professional activity in the field of music print (having worked for major music publishers such as Ricordi, Breitkopf & Härtel, Bärenreiter, Schott) he is today focused on the field of digital humanities and technologies at the service of cultural heritage.

MEET and Digital Experience: Revitalising an Archive

Renaissance Dreams, Refik Anadol_ph Elena Galimberti

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18 November 2024
Online on Zoom
3pm — 5pm (CET)

about

MEET is the first International Centre for Digital Art and Culture, established in Milan in February 2018.
Maria Grazia Mattei is its founder and director and has been leading the Meet the Media Guru platform for meetings and knowledge since 2005.
Her aim is to support the development of a new awareness regarding technology as a resource for people’s creativity and the well-being of society as a whole. During this lecture, the curator will discuss the theme of immersiveness as a new form of entertainment, communication, and knowledge enjoyment, involving some of the most significant figures and phenomena in the sector.

The lesson will be held in Italian.

Lecturer

Maria Grazia Mattei

Humanist and art critic, she has been exploring digital territories for over thirty years. She has been investigating its frontiers and potential since the 1980s. In 2005 she founded Meet the Media Guru, a platform for discussion and public debate on innovation issues. With the support of Fondazione Cariplo in 2018 Mattei created MEET Digital Culture Center, the first International Centre for Digital Art and Culture based in Milan. She is now Founder and President of MEET Digital Culture Centre.