ESPACIAR 2025 – Digitalstage

"De la luz del sol y de la luna. Soledad Sevilla", 2021, Patio Herreriano Museum, Valladolid (Spain) © Juan Carlos Quindós
"Lo spazio del corpo – il corpo dello spazio" workshop exhibition, 2022, Palazzo Vendramin Grimani, Venice © Juan Carlos Quindós
"Digitalstage" workshop exhibition, 2023, Spanish Academy in Rome © Juan Carlos Quindós

key details

28 March 2025
Onsite at ARCHiVe / Online on Zoom
9:00am — 6:30pm (CET)

Reference

  • Research Group ESPACIAR | Universidad de Valladolid (Spain)

about

This academic and artistic meeting aims to deepen, from an architectural point of view, the new spatiality that has been generated since the 80s, and especially during the 21st century, in digital scenographic installations, due to the disruptive incorporation of software.

This innovative multimedia management has given rise to possibilities of expression and visual configurations previously unthinkable.

ESPACIAR. Spatial categories in art and architecture is a conference coordinated by the Recognised Research Group of the University of Valladolid (Spain) and is part of the Research Project DIGITALSTAGE. Spatial analysis of digital scenographic installations of the 21st century (2022-2025), funded by the Government of Spain and by FEDER, EU.

Programme

9:00 - 12:30 (CET)

Morning Session

  • Jorge Ramos Jular | Universidad de Valladolid
  • Francesco Zucconi | Università luav di Venezia
  • Edoardo Menon | Sapienza Università di Roma
  • Matteo Tora Celllini | CamerAnebbia
  • Liliana Fracasso
  • Lorenzo Galletti
  • Chiara Marsano
  • Zhenghao Yang
  • Diana Carta | Sapienza Università di Roma

9:00am-9:15am Welcome

9:15am-10:00am Keynote lecture | Dall’analogico al digitale. Bill Viola a Venezia
Jorge Ramos Jular (Universidad de Valladolid)

10:00am-11:00am Session 1 | Artistic projects & discussion
chair: Francesco Zucconi (Università luav di Venezia)

• Tra analogico e digitale. L’ostensione del patrimonio immateriale nell’opera di Studio Azzurro
Edoardo Menon (Sapienza Università di Roma)

Compressione di spazio e tempo. Amplificazione dell’intensità espressiva
Diana Carta (Sapienza Università di Roma)

Producción de presencia y evocación del lugar: un viaje interactivo en la laguna de Venecia a partir de Santa Marta
Liliana Fracasso, Lorenzo Galletti, Chiara Marsano, Zhenghao Yang (Scuola NTA, Accademia di Belle Arti di Venezia)

11:00am-11:30am Coffee Break

11:30am-12:30pm Keynote lecture | Vedere l’invisibile: Video installazioni immersive e metafore interattive
Matteo Tora Cellini (Collettivo CamerAnebbia, Milano)

3:00 - 6:30 PM (CET)

Afternoon Session

  • Federica Morgia | Sapienza Università di Roma
  • Manuela Ciangola | Sapienza Università di Roma
  • Francesco Masiello | Sapienza Università di Roma
  • Vittoria Silvaggi | Sapienza Università di Roma
  • Valentina Rizzi | Università Iuav di Venezia
  • Grazia Toderi
  • Gilberto Zorio
  • Renato Bocchi

3:00pm-4:00pm Session 2 | Academic research & discussion
chair: Federica Morgia (Sapienza Università di Roma)

• Metamorfosi teatrali: re-azioni nella scenografia contemporanea
Manuela Ciangola, Francesco Masiello (Sapienza Università di Roma)

Materia oscura. O della pervasività del linguaggio
Vittoria Silvaggi (Sapienza Università di Roma)

Homebodies in Pixels
Valentina Rizzi (Università Iuav di Venezia)

4:00pm-4:15pm Coffee Break

4:15pm-5:30pm Keynote lecture | Fra terra e stelle. Proiezioni dello spazio e nello spazio
Grazia Toderi, Gilberto Zorio
chair: Renato Bocchi

5:30pm-6:30pm Discussion & Conclusions

Maps are too exciting! Digital innovations in Cartography

Celestial Globe by John Senex (1728), Rare Books and Manuscript Reading Room of the Weston Library, Oxford

key details

10 October 2024
On site (Weston Library, Oxford) – Online on Zoom
11am — 5pm (CET)

about

For the past two years, Factum Foundation has been working with the Bodleian Libraries and Oxford University on ARCHiOx (the Analysis and Recording of Cultural Heritage in Oxford), parallel project to ARCHiVe. Both projects share the vision of making high-resolution 3D and color-recording a regular part of the workflow in libraries, museums, and private collections, with the final goal of improving accessibility and research.

This Sunderland Collection Symposium, dedicated to digital innovation in the field of cartography, was conceived and generously funded by the Sunderland Collection. The symposium is organised in association with The Bodleian Libraries and ARCHiOx.

Complete recordings of the talks, along with insights about the speakers, are available at Oculi Mundi – Sunderland Collection.

 

Programme

11am (CET)

Morning Session: The art of cartography and new evidence

  • Richard Ovenden | University of Oxford
  • Judith Siefring | Bodleian Library
  • John Barrett | Bodleian Library
  • Nick Millea | Bodleian Library
  • Yossef Rapoport | Queen Mary University
  • Sanne Frequin | Utrecht University

11–11.15am: Welcome by Richard Ovenden OBE, Bodley’s Librarian, Head of Gardens, Libraries and Museums at the University of Oxford.

11.15am–1pm: Panel and Q&A: The art of cartography and new evidence
Chaired by Judith Siefring, Head of Digital Collections Discovery, Bodleian Libraries

  • Material evidence of the surface of objects (20 minutes)
    John Barrett, Lead Photographer at ARCHiOx and the first person to use the Selene Photometric Stereo System within a major library.
  • Spectacular! A digital exploration of medieval Gough Map of Britain (20 minutes)
    Nick Millea, Map Curator at the Bodleian Libraries
  • The Greatest Medieval Map-Maker: Al-Sharif al-Idrisi and Roger’s Silver Disc (20 minutes)
    Yossef Rapoport, Professor of Islamic History at Queen Mary University, London
  • A Ship’s Globe in the Centraal Museum, Utrecht (20 minutes)
    Sanne Frequin, Assistant Professor of Humanities and Art History, University of Utrecht

1.30pm (CET)

Special presentation – Nesting Globes: visualising the current global situation

  • Bruce Mau | Massive Change Network

1.30pm–2pm: Special presentation – Nesting Globes: visualising the current global situation
Bruce Mau, designer, philosopher, architect, and educator.

3pm (CET)

Afternoon session: Mapping in a digital world

  • Giovanni Pala | University of Oxford
  • Katherine McDonough | Lancaster University
  • Sarah Kenderdine | École Polytechnique Fédérale de Lausanne
  • Ed Parsons | Google Earth
  • Adam Lowe | Factum Foundation

3–4.45pm: Panel and Q&A: Mapping in a digital world
Chaired by Giovanni Pala, economic historian of technology and information

  • Map Search: Using AI to explore map content (20 minutes)
    Katherine McDonough, Lecturer in Digital Humanities at Lancaster University; Senior Research Fellow and head of the Machines Reading Maps Project at The Alan Turing Institute.
  • Deep Mapping: from archives to the universe (20 minutes)
    Sarah Kenderdine, Professor of Digital Humanities at École Polytechnique fédérale de Lausanne (EPFL), Switzerland; Director of the Laboratory of Experimental Museology.
  • Geospatial transformation (20 minutes)
    Ed Parsons, Geospatial Technologist, tech evangelist, and co-founder of Google Earth.

4.50pm–5pm: Conclusions: Adam Lowe, Founder of Factum Foundation and Factum Arte

Digitisation and valorisation of Venetian Music Archives

© Fondazione Giorgio Cini
© Fondazione Giorgio Cini
© Fondazione Giorgio Cini
© Fondazione Giorgio Cini
© Fondazione Giorgio Cini
© Fondazione Ugo e Olga Levi

key details

22 November 2023
Onsite at ARCHiVe / Online on Zoom
2pm — 6pm (CET)

about

A study seminar on the Island of San Giorgio Maggiore in Venice, in collaboration with the Institute for Music and the Intercultural Institute of Comparative Music Studies of the Fondazione Giorgio Cini.

The meeting was created to take stock of the state of the art of projects for the description, digitisation and valorisation of the main sound and music archives belonging to various city institutes actively engaged in this regard. The aim is to share methods and technologies, good practices and virtuous choices adopted by the various institutions called upon to participate, highlighting the peculiarities of each archive and emphasising the links that unite them.

Programme

New IISMC proposals for audiovisual archives in ethnomusicology

  • Giovanni Giuriati | Fondazione Giorgio Cini
  • Marco Lutzu | Università degli Studi di Cagliari
  • Simone Tarsitani | Durham University
  • Costantino Vecchi | Fondazione Giorgio Cini

The IISMC (Istituto Interculturale di Studi Musicali Comparati) archive of the Fondazione Giorgio Cini holds documentation on the Institute’s activities since 1969. In addition to working on the preservation and enhancement of the archival materials (paper, audio, photographic and video), since 2004 the Institute has been systematically documenting its initiatives in audiovisual form.

The talk intends to present recent work carried out using digital technologies for the IISMC archive with particular reference to audiovisual documentation (S. Tarsitani), cataloguing and restitution (C. Vecchi) and the creation of audiovisual materials for educational and dissemination purposes (M. Lutzu).

LeviDigiLab: the digitisation project of the Fondazione Ugo e Olga Levi

  • Giulia Clera | Fondazione Ugo e Olga Levi

With the LeviDigiLab project, the Fondazione Ugo e Olga Levi in 2023 started a digitisation process for the preservation and online consultation of the documentary heritage of the Gianni Milner Library.

The project aims to bring the culture of digitisation into the Fondazione Levi, making the structure and the staff involved capable of dealing with the digital transformation of the holdings for conservation and enhancement and to increase the public’s accessibility through a dedicated platform searchable by the user through a dedicated front-end (Opac).
The foundation has equipped itself with an in-house laboratory that is currently being implemented thanks also to the numerous grants obtained.

Design and development of the digital archive of the Fondazione Archivio Luigi Nono: an interweaving of knowledge between musicology, archivistics and computer science

  • Alessandro Russo | Centro di Sonologia Computazionale (CSC) Università di Padova
  • Michele Patella | Centro di Sonologia Computazionale (CSC) Università di Padova

The Luigi Nono Archive was founded in 1993 on the initiative of Nuria Schoenberg Nono with the aim of collecting, preserving and promoting the composer’s precious legacy. Since 2015 the project of the creation of the Luigi Nono Digital Collection has been launched in collaboration with Paul Sacher Stiftung and funded by the Ernst von Siemens Musikstiftung. Between 2015 and 2017, a preservation and valorisation project took place, promoted and coordinated by the Soprintendenza archivistica e bibliografica del Veneto e del Trentino Alto Adige, which also involved the magnetic tapes of the Luigi Nono funds. The intervention was entrusted to the Centre for Computational Sonology of the University of Padua. In 2019, the online migration of the Fondazione Archivio Luigi Nono’s database began with the intervention of the company Audio Innova, a spin-off of the University of Padua.

ARMID@Venice: Music and Digital Humanism in Venice. The musical sources of the "Benedetto Marcello" Conservatory

  • Paolo Da Col | Conservatorio di Musica Benedetto Marcello di Venezia
  • Alice Martignon | Università Ca' Foscari Venezia
  • Giulio Pojana | Università Ca' Foscari Venezia

On 1 October 2021, thanks to a new scientific collaboration between the “Benedetto Marcello” Conservatory of Music in Venice and Ca’ Foscari University of Venice, it was possible to launch ARMID@Venezia (ARchivio Musicale e Iconografico Digitale A Venezia), a research project dedicated to the digitisation, virtual restoration and non-invasive diagnostic study of ancient musical sources (manuscripts and printed books) kept at the lagoon music institute. After a brief excursus on the main digitisation, cataloguing, conservation and valorisation projects currently active at the Conservatory’s “Mario Messinis” Library (Prof. P. Da Col), the technologies adopted and the results achieved within ARMID@Venezia will be described (Dr. A. Martignon, Prof. G. Pojana).

The Archives of the Institute for Music of the Fondazione Giorgio Cini

  • Francisco Rocca | Fondazione Giorgio Cini

The Fondazione Giorgio Cini’s Institute for Music works for the acquisition, preservation, protection, and valorisation of 20th and early 21st centuries archives, with a focus on those produced by prominent personalities from the worlds of music, dance and audiovisual, which can be consulted through digital archives.

The presentation aims to illustrate this archival heritage and the enhancement initiatives implemented in recent years, focusing in particular on digital archives and their huge potential.